The Steeple of the Sainte Chapelle Architecture which can be witnessed today is 108 feet high and is the fifth one to rise above the Chapelle since the 13th century. It was built in the 15th century and was renovated with wooden carvings in cedar wood between 1853 to 1855. While visiting the Chapelle, you will be able to witness the wood carvings which have decorated the steeple and also the apse angel and has apostles sculpted at the base. You will also be able to see figurines of angels carrying the instruments of passion and giving trumpet calls above the hollowed-out ornamental gables.
The Sainte Chapelle Architecture of the western facade constitutes a two-storeyed porch with a large central bay with two narrow ones on each of its sides. Overlooking the porch is the famous rose window with its 82 petals. There is a balustrade with fleurs de lis at the base of the gable with the initials of Charles VII carried by two kneeling angels. Proceeding towards the western mass, you will find it enclosed by a turret staircase concealed in the nave's first buttresses with the pyramidal top decorated with the crown of Thorns and the royal crown of France.
The lower chapel was one of the two chapels that formed the Sainte-Chapelle and were devoted to the Virgin Mary. This chapel was used by the non-royal inhabitants of the Royal Palace including the people who worked for the royalty. The chapel in its architecture resembled a crypt with its height beneath the vault only 21 feet.
It consisted of a central nave of 20 feet wide and narrow 7 feet side aisles forming the ambulatory of the apse. The portal of the chapel has the column statue of the Virgin Mary and is decorated along with other decorations of the chapel in themes of columns, sculptures and murals. The stained glass window of the current day is dedicated to the life of the Virgin with small scenes inscribed in a decorative grisaille in the nave.
The Upper Chapel which was used by the king and the royal family can be reached today by narrow corkscrew staircases which lead to the roof. The roof is spectacular with its elevated structure, dimensions, decoration and multi-coloured light streaming through its stained glass windows. The rest of the structure is a simple rectangle with four traverses and an apse in the east end along with seven bays of windows. The wall of the Upper Chapel is non-existent. Instead, there are multi-colour slim glass surfaces with elegant stonework supporting the ribbed vaulting. There is a total of 7,200 sq ft of glass, without considering the rose window at the west end.
One of the reasons for the fame of the Sainte Chapelle Construction is its homogeneous group of stained glass windows. There are fifteen stained glass windows that were constructed in the thirteenth century and there is the rose window which was added in the fifteenth century. The multi-coloured stained glasses cause infinite fracturing of the colors to produce a multi-coloured light with general tones predominantly in blue and red and changing from hour to hour. There are 1,113 figurative panels in these glass windows. The stained glasses have scenes painted on them.
The Sainte Chapelle Facts state that most of the sculptures of the portals were destroyed during the French Revolution but were later recreated between 1855 to 1870, using the 18th-century engravings and descriptions. One of the major works recreated during that time was the tympanum over the portal of the upper chapel. The sculpture was that of a figure of Christ giving a blessing, with John the Baptist and the Virgin Mary alongside him with two angels holding the crown of thorns and cross behind him. Other notable ones include the sculpted biblical scenes from the Old Testament including the Creation and Noah's ark, on the panels on lower walls.
Click Here to Book Now:
What kind of architecture is Sainte-Chapelle?
Sainte Chapelle Architecture is a typical example of the Rayonnant Gothic style architecture - a style which is characterized by an extreme degree of illumination through stained glass walls along with the appearance of structural lightness. Apart from this, decorative elements are of much prominence in Rayonnant structures.
What is special about Sainte-Chapelle?
Sainte-Chapelle is known for its French Gothic architectural magnificence, especially its stained glass window collection. The Chappelle is also well known as one of the greatest sites of Gothic art in France and has been much acclaimed for the manner in which its stone walls have been transformed to let in shimmering walls of light.
Who created Sainte-Chapelle?
It is a mystery who is behind the design of the Sainte-Chapelle. While there are several theories on this subject, none of them has yet been proven. According to the most popular belief, the Chapelle was created by Pierre de Montreuil who was the master mason of the Royal Abbey of Saint-Denis and the Notre Dame.
How old is the Sainte-Chapelle?
As per the Sainte Chapelle Facts, the Chapelle's construction started in the year 1242 as per the orders of King Louis IX of France. The work was completed very quickly and was in use from 1248.
Why is Sainte-Chapelle Gothic architecture?
As was the usual practice in ancient times, Cathedrals were made much larger and did not have any provision for walls of stained glass, But the beauty of the Sainte-Chapelle lies in its stained glass windows. Hence to incorporate this in the building, gothic architecture, which is about opening up walls as much as possible for coloured light through stained glass, was used.
Who was the architect of the Sainte-Chapelle?
There is no documentary proof as to who is the chief architect of the Sainte-Chapelle. But as pet an oral tradition going back to the sixteenth century, Pierre de Montreuil, the master mason at the abbey of St Denis and chief architect of the transept at Notre Dame in Paris has been given the credit of this building’s architecture as well.
What is Sainte Chapelle made out of?
Sainte Chapelle is made out of two Chapelles - the upper and the lower Chappelles. While the upper one had been constructed for the use of the king, his relics and the royal family, the lower one was used by the common man, including those who worked for the royal family.